Titus.3

For cantor, unison choir, assembly, and keyboard, this simple setting of Luke's Beatitudes (Luke 6:20-26) has a gentle accompaniment that perfectly spotlights the beloved scripture passage. The assembly

Straightforward arranging, accessible parts at the easy level, and flexible scoring make this a wonderful set to have on hand for the holiday season.  Scored for two trumpets, French horn (or trumpet),

Caminemos con Jesús is a liturgical celebration of the beauty, passion, and vitality of Cuban music. Fusing lyrical Spanish melodies and complex African rhythms in a distinctive

The Garden of Genesis and Isaiah’s prophecy for Jesse’s house are blended in Mary Louise Bringle's text, given a masterful setting by Roy Hopp. Duple-meter sections that move from serene to

From Celtic Psalms, Volume 3, these are excerpts for solo or mixed ensemble and assembly. Accompanied by piano, guitar, optional C instruments and cello. The violin and viola parts are for The

Based on the familiar hymn tune VENI EMMANUEL, this Mass setting will be useful year after year during both the Advent and Christmas seasons. Written in triple meters and easily singable by choir and

Based upon George Herbert's famous text, this is a folk-like setting of the haunting tune, The Call, by Ralph Vaughan Williams. Scored for three-part mixed voices and assembly with piano, guitar,

The arrangements in this collection were designed for solo viola or alternatively for B-flat clarinet; however, the parts are compatible and can be used together. In the score, the viola appears in treble

This psalm setting effectively captures the finality and starkness found on Good Friday. Emerging from African American idioms, especially the blues, this setting is steeped in abuse and suffering. As with

Designed for performance by children of elementary school age. Successful with piano and voices alone or with additional instrumentation (recorder, flute, clarinet in B-flat, vioin, cello,

The tune of this baptismal song reflects the energy of the text, "From the waters I will rise and walk... from kneeling I will stand and sing." While appropriate for any baptism, this song will be

Wonderfully introspective, this piece will be useful in times of communal prayer and worship. The harmonies are interesting, but not difficult. The words, based on Ignatius’ “Prayer for

This haunting setting of the Canticle of Simeon shifts from a unison opening, to two and then three parts, finally concluding in a rich SATB texture. Equally at home in concert hall or quiet prayer

"A grateful heart is what I bring, a song of praise, my offering." Composed for the small choir with accompaniment, this piece opens in unison with a memorable melody that can be sung by choir and